This might be a rant. Towards Fuji. But I have overcome the moment of having feelings about this. My X-H1 has a broken USB-port. It cannot get connection to my computer and thus to X-RAW Studio anymore. I guess I have had my share of experimenting with the film simulations. It is very unfortunate, that the X-RAW Studio is dependant of the camera. And so eventually there comes a time when the X-RAW Studio becomes useless.
I primarily use Capture One for post processing. But I love that my camera can produce beautiful JPEGs SOOC. I can still tune the looks in-camera, but is is a burden compared to the possibility to test different settings in X-RAW -studio.
Short sigh. Life goes on. And maybe I can afford a new camera at some point.
My in-camera film simulations are based on my previous experience and I have mostly now shot photos with Astia. It just looks so good with different subjects, were it nature, urban or people related. Astia is also a film simulation that can be tweaked to many different looks, though I mostly use only one setup with it.
Now, back to Capture One…
This time I have made some styles that specifically require the Fujifilm -version of Capture One.
Continue reading My styles based on Fujifilm -curves for Capture One
In X-H1 there are seven slots in-camera to store film simulation settings. That should be plenty and I see that some Fuji camera users have found their “look” and can happily live with even two or three different film simulation settings.
Continue reading My in-camera Film Simulation settings
At first, after I had bought my Fuji X-H1, I thought the Astia film simulation is useless to me. It wasn’t as interesting in nature photography as Velvia, and it was quite heavy on colors to be used in photographs that included people or our white horse where the Pro Neg High film simulation was spot on.
After getting to know with photos taken with different films, I found that I wanted to tweak the film simulations more towards some of my favorite films. I began to like three different films, of which one was Kodak’s Vision3 500 ISO tungsten film (goes also by the name Cinestill 800). No, I don’t like the tungsten color balance in that film, but the look, when color corrected, got me deep. I was obsessed with the idea of getting the look with my digital photos. That time i tried again Astia, if it could at some settings offer the look I was after. Astia, after all, had strong colors, as the Vision3 film, but it was too saturated and too contrasty. No, I didn’t manage to tweak Astia that far, but in the meantime I found I liked a lot of a version of Astia that had it’s saturation and contrast tuned down. So I ended with this film simulation setting presented here.
Continue reading Astia film simulation