I have been tuning some Portra based Capture One -styles and Kodachrome 64 based Capture One -style parallel to each other. I wanted to create a good base setting for the Capture One color wheel that I could use tuning many other styles too. I published the Portra 400 look-a-like style already, and it is time to publish my efforts with the Kodachrome 64 look. This time I used a quite good reference scan as my base and I think the accuracy of colors in this style is quite high compared to the original scan.
This style is having it’s third iteration. It has been an ongoing study of making a Kodachrome look-a-like style for Capture One. The first and second iterations had beautiful look but at the same time there were some color problems that I first could not figure out. This third iteration comes right at the heels of the second iteration and finally I think I solved the problems I had with the colors. These problems were technical problems that were caused by my mistake of making overlapping colors in color editor. The third iteration is still beautiful to me, but I lost a bit of deepness in certain colors when I corrected the look. Still, this is worth publishing and especially, while a bit different from the previous iterations, it gives beautiful alternative for my other styles. And I hope I can finally leave this style in it’s current state.
Having tuned many insignificant styles since my last post I found out that my styles K400 Light and P400 Warm were approaching same goal with very different results. I decided to try how they look when I combine their looks. I had in mind a “memory” of a look that some photos taken with Portra 400 film have. And it was warm and light at the same time.
This time my experiments lead me to try my hand with a look that I named Sunny Seventies. The look took some cues from some photos I saw being taken in the seventies. I could have taken the look much further but decided to stop at a certain point, for now. There is some color twists going on, and the style won’t work for a wide variety of subjects. It really needs a bright sunny scene and there it offers it’s intended look. Hope You find this study interesting, even if it wasn’t so useful to You. 🙂
Fuji’s film simulation Classic Chrome was for a long time a favorite style among Fuji camera users. Now it has lost some of it’s appeal for those Fuji camera users that have access to the Classic Negative. Neither of these film simulations have appealed to me. But I wanted to understand better why the Classic Chrome doesn’t work for me. And I wanted to see if there were any way to improve the look for my own use.
I didn’t want to start with the Capture One’s original Classic Chrome style (which is limited to be used with Fuji’s RAF-files) but made a version for myself from the scratch. My version is not an exact copy of the film simulation, but I tried to copy the look as much I could so that I had “right” look to start from.
This time I share some of my latest work in progress -styles. The styles started on the experiments based loosely on the reddish look that Immanuel Sander (captn.look in IG) has constantly used in his photos. While experimenting I decided that I try somekind of colored sepia look and that is where the style “Colored Sepia” was born. But my experiments led me to try something deeper looking style. And I tried to achieve a look where the darks get intense and there would be one slice of “right exposed” part in the image. This is where the style “Thick Colored Sepia” was born.
Another B&W -style, huh? Yes. This one came into existence as a coincidence when I was trying a color style mimicking the captn.look’s (Immanuel Sander’s) film simulation recipe “Nature Neon” that was published on Fuji X Weekly.