ColorPlus style for Capture One

When Fuji announced that they are going to add new film simulation into their newer cameras, the Classic Negative, I was curious what to expect. Now I have not seen very many SOOC photos taken with it, but I played for a while with the Capture One -curve that works with their newer camera raw-files. I saw that the new Classic -simulation certainly will get it’s userbase even among those that have used Classic Chrome film simulation previously. What surprised me though was that the new simulation wasn’t of some premium film but a “consumer” film. Anyway, I had already made one style before the Classic Negative that looks quite similar and felt not so much left out even though my camera does not support the new simulation.

But I have a much better resource for different looks, make them my self 🙂 And I have done quite a few different styles already with Capture One. Enough already, or still some look missing?

Continue reading ColorPlus style for Capture One

Nostalgic Color -style for Capture One

This time I share a Capture One -style, that I developed some time ago, but haven’t had enough inspiration to publish earlier. This style is not meant to resemble any certain look or film. But at the same time it is meant to look like a generic color negative film of yesteryears, bringing nostalgic look for Your modern photos.

Continue reading Nostalgic Color -style for Capture One

Homage -style for Capture One

We all have seen those black and white masterpieces from the yesteryears. During certain times the photos didn’t shine with technical perfection, but were more about situation awareness of the photographer, wonderful compositions and intriguing play of light and darkness.

Continue reading Homage -style for Capture One

Bleach ByPass -style

When rumors came that Fujifilm is including a Bleach ByPass -look into their new X-T4 camera, I started researching what the heck is Bleach ByPass. Though I have shot a lot of film in the past times I practically never used any tricks with the films. Those times cross-processing was a famous practice, but of Bleach ByPass I never heard of.

Continue reading Bleach ByPass -style

About Grain

This time I share my preferred grain presets for Capture One.

First of all, so I don’t have to come back to the subject. I hate grain. In situations where I need to take photos of people for documentary uses, there is no way I would add any grain to the photos. You don’t usually look photos at pixel level, but for example in group photos or photos where the person is not “filling the frame” You just loose all the details in the faces with additional grain. This is true for at least part of “street photography” as well as You probably sometimes want to see details of faces. And when You sell stuff and take photos of the stuff – well, no grain, please.

Continue reading About Grain

Double B&W styles for Capture One (portrait look)

This time my new style (or double of styles) sprung from the redesigned NS160 style. Having just finished the P160 -style and the new NS160 -style I was in the mood of creating also a B&W -style that would work with portraits. I imagined the NS160 -style would convert well to B&W and have low contrast look suitable for people photography.

Continue reading Double B&W styles for Capture One (portrait look)

My styles based on Fujifilm -curves for Capture One

This time I have made some styles that specifically require the Fujifilm -version of Capture One.

Continue reading My styles based on Fujifilm -curves for Capture One

Classic contrast B&W Capture One -style (updated 12.10.2019)

This was a quick edit. I usually go with low-contrast look with my photos, mainly to preserve the shadows from getting totally black. But after I had some inspiration of looking photos taken with Ilford FP4, I decided to try if I can find similar look that has higher contrast shadows that won’t go totally black. I deviated quite soon from the FP4, not trying to simulate it, as I was satisfied with less flat midrange and highlights. And I anyway liked the contrast and structure (grain and clarity) of the outcome. Maybe with another project I can approach closer the FP4. I call the look achieved “classic contrast”, comparing to my usual low-contrast edits.

Continue reading Classic contrast B&W Capture One -style (updated 12.10.2019)