I just added to my blog CaptureOne2Three some new styles. The link is below:
Most of my styles so far have been according to the trend making the photos look sharp and “defined” with raised clarity. Having just read an article about digital B&W photography’s quest for raised contrast and sharpness counteracting the mood, tonality and expression possible with less “defined” look, I started question some choices I have made when making my styles. There are places and need for the sharp and contrasty photos, but how many times You are willing to deliberately “worsen” the image to carve out the expression of it instead of getting “likes” for Your perfect photos?
Continue reading Making worse images deliberately – or endorsing imperfections
This was a quick edit. I usually go with low-contrast look with my photos, mainly to preserve the shadows from getting totally black. But after I had some inspiration of looking photos taken with Ilford FP4, I decided to try if I can find similar look that has higher contrast shadows that won’t go totally black. I deviated quite soon from the FP4, not trying to simulate it, as I was satisfied with less flat midrange and highlights. And I anyway liked the contrast and structure (grain and clarity) of the outcome. Maybe with another project I can approach closer the FP4. I call the look achieved “classic contrast”, comparing to my usual low-contrast edits.
Continue reading Classic contrast B&W Capture One -style (updated 12.10.2019)
All the merit for this particular film simulation setting goes to Kevin Mullins that calls this setting “Padilla” after Darcy Padilla. You can check Kevin’s thoughts and photos taken with this setting in his site https://f16.click/tips/fujifilm-jpeg-settings.html
Why posting about the same simulation setting then? I want to list in my blog the simulations I like and use and give some more photos to show how the setting looks like.
Continue reading Monochrome+R film simulation