Small but not insignificant update 11.2.2020: I made a neutral color version of my P160 -style. It is included in the package You can download from the link of this page.
My journey with Capture One Pro started because I wanted to have more different looks available than what I had in my Fujifilm camera.
The film simulations available in Fuji cameras are very beautiful and very “finished”. What I mean with finished is that they are balanced in appearance and thus appeal to wide audience and they don’t look like gimmicks as many “filters” do. They also set a very high standard for my kind of people who wants to make own styles with Capture One.
Continue reading My favorite styles and my new in-camera film simulations (updated 11.2.2020)
Most of my styles so far have been according to the trend making the photos look sharp and “defined” with raised clarity. Having just read an article about digital B&W photography’s quest for raised contrast and sharpness counteracting the mood, tonality and expression possible with less “defined” look, I started question some choices I have made when making my styles. There are places and need for the sharp and contrasty photos, but how many times You are willing to deliberately “worsen” the image to carve out the expression of it instead of getting “likes” for Your perfect photos?
Continue reading Making worse images deliberately – or endorsing imperfections
This was a quick edit. I usually go with low-contrast look with my photos, mainly to preserve the shadows from getting totally black. But after I had some inspiration of looking photos taken with Ilford FP4, I decided to try if I can find similar look that has higher contrast shadows that won’t go totally black. I deviated quite soon from the FP4, not trying to simulate it, as I was satisfied with less flat midrange and highlights. And I anyway liked the contrast and structure (grain and clarity) of the outcome. Maybe with another project I can approach closer the FP4. I call the look achieved “classic contrast”, comparing to my usual low-contrast edits.
Continue reading Classic contrast B&W Capture One -style (updated 12.10.2019)
The idea to try and make this Capture One style sprung in my mind when I watched a document of the very early films taken with Kinematography, the device used by Lumiere brothers. I saw interesting B&W scenes that somehow were very contrasty, but at the same time included a lot of hues. I thought, why would this look not be possible in color. So I went to Capture One to see what I could achieve. I took the K14 style and tweaked to my hearts content (actually, only some minutes 🙂 ). I ended up with two different versions, lighter and darker. Neither of them were truly what I was after and somehow lost my interest to continue. But as time went by I tried those work in progress styles on different subjects, and to my amazement found them very useful and giving interesting look to my photos. Both of them worked in color and black and white.
Continue reading My Capture One Kinematography styles
This film simulation is more of a theoretical one for me, as I do not take much portraits and if I do, they won’t be in B&W.
Continue reading Acros portrait film simulation and Capture One style
All the merit for this particular film simulation setting goes to Kevin Mullins that calls this setting “Padilla” after Darcy Padilla. You can check Kevin’s thoughts and photos taken with this setting in his site https://f16.click/tips/fujifilm-jpeg-settings.html
Why posting about the same simulation setting then? I want to list in my blog the simulations I like and use and give some more photos to show how the setting looks like.
Continue reading Monochrome+R film simulation